KON Satoshi loves films, and he loves people who love films—he is a true cinéphile. Discuss how his animé make homage to the stars, styles, genres and/or themes of Japanese cinema.
KON Satoshi loves films, and he loves people who love films—he is a true
cinéphile. Discuss how his animé make homage to the stars, styles, genres
and/or themes of Japanese cinema. Make reference to at least 2 films we have
watched in class (others are fine, in addition).
Matt Hills proposes that we do fan “auto-ethnographies” in order to understand
the cultural and intellectual (and, perhaps, emotional) work done by
cinéphiles. How does this attempt to address or shape some of the limits that
he finds in many examples of fan culture? What makes his effort different than
just being a fan, or hanging out with fans?
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