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  • Art
  • June 15th, 2014

Art Movements Of The 20th Century

Assignment Requirements

 

• Discuss the characteristics and basic ideas of three art movements of the 20th century that have broken traditional boundaries. Analyze one work of art for each movement. Discuss each example thoroughly, its visual characteristics and meaning and how it reflects the movement. Use examples listed on Course Outline from Fauvism to present.
• 2 pages in length.

Instructions: Your essay should begin with an introduction and end with a conclusion. Select examples that best reflect the thesis of your essay. Select examples listed on your Course Outline from Fauvism to the present.

  • Discuss the characteristics and basic ideas of three art movements of the 20th century that have broken traditional boundaries. Analyze one work of art for each movement. Discuss each example thoroughly, its visual characteristics and meaning and how it reflects the movement. Use examples listed on Course Outline from Fauvism to present.
  • 2pages in length.

 

 

 

Instructions: Your essay should begin with an introduction and end with a conclusion. Select examples that best reflect the thesis of your essay. Select examples listed on your Course Outline from Fauvism to the present.

 

Select work of art from following:

 

FAUVISM 1905-8

Matisse, The Joy of Life

Matisse, Red Room

Derain, The Dance

 

EXPRESSIONISM

Munch, Weeping Nude

GERMAN EXPRESSIONISM: 1905-30

Kirchner, Street Berlin

Nolde, Saint Mary of Egypt among Sinners

Kandinsky, Black Lines

Beckmann, Night

 

CUBISM 1907-20

Picasso, Les Demoiselles d’Avignon

Picasso, Man with a Violin

Picasso, Still-life with Chair caining

George Braque, Bottle, Newspaper, Pipe and Glass

FUTURISM: 1909-14

Boccioni, Unique Forms of Continuity in Space

Duchamp, Nude Descending a Staircase

De STIJL: 1917-31

Mondrian, Composition with Red, Blue, Yellow

INTERNATIONAL STYLE: 1930-1980

Ludwig Mies van der Rohe, Seagram Building

 

THE FREUDIAN REVOLUTION

Getlein chapter 21 and Gardner

DADA: 1916-24

Arp, Collage Arranged According to Laws of Chance

Duchamp, Fountain

Duchamp, L.H.O.O.Q.

SURREALISM and FANTASY: 1924-30

Chagall, I and the Village

Miro, Carnival of Harlequin

Magritte, The Trechery of Images

Dali, Persistence of Memory

Khalo, The Two Fridas

 

THE QUEST FOR MEANING

Getlein Chapter 21 and Gardner

AMERICAN SCENE: 1930-45

Jacob Lawrence, Race Riots

Dorothea Lange, Migrant Mother

Edward Hopper, Nighthawks

ABSTRACT EXPRESSIONISM: 1945-1960

Pollock, Lavender Mist

de Kooning, Woman

COLOR FIELD PAINTING: 1945-60

Rothko, Orange and Yellow

Frankenthaler, Spring Break

 

ART AND CONSUMER CULTURE

Getlein chapter 22 and Gardner

POP ART: 1960s

Andy Warhol, Marilyn Diptych

Jasper Johns, Flag

Claes Oldenburg, Clothespin

Lichtenstein, Hopeless

Rauchenberg, Canyon

MINIMALISM: 1960s

Frank Stella, The Protractor

Donald Judd, Untitled

PHOTOREALISM: 1970s

Richard Estes, Helene’s Florist

Chuch Close, Big Self-Portrait

Hanson, Tourists

CONCEPTUAL ART: 1960-70

Kosuth,One and Three Chairs

 

POST-MODERNISM: ART AND SOCIAL CHANGE

Getlein chapter 22-23 and Gardner

FEMINIST ART: 1970s

Alice Neel, Hartley

Judy Chicago, The Dinner Party

Barbara Kruger, Your Body is a Battleground

POSTMODERNISM: 1980s

Graves, Portland Building

I.M.Pei, Louvre Pyramid

Frank Gehry, Walt Disney Concert Hall, Los Angeles

Sherrie Levine, Fountain

NEO EXPRESSIONISM: 1980s

Anselm Kiefer, To the Unknown

Saville, Rosetta

SOCIAL ART: RACE

Jean-Michel Basquait, Horn Players

DIGITAL ART 2000

Kenneth Tin-Kin Hung, Gas Zappers

GLOBAL CONNECTIONS: 2000

Amer, Red

 

 

 

 

 

 

 

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