cinematographer John Bailey says, "There is an element in film noir, in the way light and shadow is used in such extreme contrast, that is almost religious or spiritual or philosophical."
cinematographer John Bailey says, “There is an element in film noir, in the way light and shadow is used in such extreme contrast, that is almost religious or spiritual or philosophical.”
What does Bailey mean by this?
How can Hollywood movies be philosophical?
Do you agree with Bailey’s vision of film noir as an encounter between good and evil, and that this moral undercurrent accounts for the use of strong black and white cinematography?
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