Discuss Rithy Pan’s use of clay figurines, archival images and sounds in his film ‘The Missing Picture’. How does the film work with created objects and historical documents to reflect on the traumatic history of Cambodia during the Khmer Rouge period?
Discuss Rithy Pan’s use of clay figurines, archival images and sounds in his film ‘The Missing Picture’. How does the film work with created objects and historical documents to reflect on the traumatic history of Cambodia during the Khmer Rouge period?
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